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#5

Tsoku Maela

Morphing the stories of the past Morphing the stories of the past

Tsoku Maela Morphing the stories of the past Morphing the stories of the past Start
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    ABSTRACT PEACES (2015) – Beleaguered

    ©Tsoku Maela

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  • “The edge we once knew to be fear became a springboard to leap into the unknown, only so our dreams could learn to fly.”

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    BROKEN THINGS (2016) – Family Portrait

    ©Tsoku Maela

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  • Dull images and superficiality are nowhere to be found in Tsoku Maela’s work. Under the surface of strong visual aesthetics, intriguing stories are hidden, told in a poetic, sometimes crude, sometimes apparently abstract way. It all makes him understand often complex realities. One can change the past, he says.
    Maela explores somewhat dreamy but very real matters such as depression, spiritual self-discovery and indigenous knowledge. They might even offer healing to battered, black communities.

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    ABSTRACT PEACES (2015) – Return to Innocence

    ©Tsoku Maela

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    BE GLAD U R FREE (2017) – Fathers & Sons

    ©Tsoku Maela

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    BARONGWA: I AM THAT I AM (2016) – The creation of man

    ©Tsoku Maela

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    APPROPRIATE (2018) – Appropriate II

    ©Tsoku Maela

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    BARONGWA: I AM THAT I AM (2016) – The Three

    ©Tsoku Maela

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    ABSTRACT PEACES(2015) - Between Silence and Violence

    ©Tsoku Maela

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  • Credits

    • Photography: From the series ABSTRACT PEACES (2015), BROKEN THINGS (2016), BARONGWA: I AM THAT I AM (2016), BE GLAD U R FREE (2017), and APPROPRIATE (2018). © Tsoku Maela.
    • Artist website: tsokumaela.com
    • Artist instagram: @tsokumaela
    • Text: Bart Luirink and Christina Månsson
    • Quote: Tsoku Maela: www.tsokumaela.com/about
    • Curator & editor: Christina Månsson for ZAM, June 2019. Read the introduction here.

     

      • Watch trailer here.
      • Read text BE GLAD U R FREE (2017) here.
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